For the guts of a decade this site has been about other people's drumming. Thirty-two of them ended up in Irish Drummers Volume 1 — the players, the gigs, the kits, the near-misses and the long roads. I asked the questions. This autumn, for a change, I'm on the other side of it.

I've been playing percussion with Giuliano & Friends, and we have a new CD released.

Who's in it

Giuliano Gnagnatti is on vocals, guitar and songwriting. He founded his first rock band, The Spirituals, at fifteen back in Italy — and remarkably, that band is still going with its original line-up. Since 2015 he's been a familiar face on the Mayo folk club circuit: Westport, Ballina, Killala.

Ray McHale plays guitar. Ray is from Ballina and spent the Britpop years working the Irish and UK rock and folk scenes, and it shows — there isn't a song you can put in front of him that he doesn't find the right shape for.

Donncha Butler is on double bass, an instrument he came to in retirement after concluding that an acoustic bass guitar without an amplifier is mostly a rumour. Hard to argue with the logic.

And I'm on percussion.

The music

We released our first single on 14 August: an acoustic reworking of "The Way We Were". Taking on a Streisand standard is either brave or foolish, depending on the day.

The EP of original songs follows in late autumn, recorded at Clew Bay Studio in Westport. I'll put the details up here the moment we have a date. Don't forget if want to order the book or CD then drop me a line. irishdrummers@gmail.com 

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Slane 2027: Mayo’s Tom Coll Takes On the Biggest Stage of Them All

 

There are gigs, and then there is Slane. So it was a special morning for Irish drumming when Fontaines D.C. confirmed they will headline Slane Castle on Saturday, June 26th 2027 — with a second night, Sunday, June 27th, added within days after phenomenal demand. That is 80,000 people a night on the banks of the Boyne, and it makes Fontaines D.C. only the third Irish act ever to top the bill at Slane, after Thin Lizzy in 1981 and U2 in 2001. Serious company.

And behind the kit for all of it: Tom Coll, from Parke, Co. Mayo.

A Mayo man at the back of the biggest stage in Ireland

We first featured Tom on Irish Drummers back in 2018, when Fontaines D.C. were a hungry Dublin band with a handful of singles and a debut album still in the works. He talked then about growing up around trad music and pipe bands in Mayo, getting his first kit at 12, and studying at BIMM in Dublin. Eight years, three Grammy nominations, a Mercury nomination and a run of chart-topping albums later, he is heading for Slane. Fair play does not begin to cover it.

Tom is not the only Mayo connection either — bassist Conor Deegan hails from Castlebar. Two-fifths of one of the biggest bands on the planet, straight out of the West.

The playing

What makes Tom such a joy to watch is how much space he leaves. He drives the band without crowding it — the drums serve the tune. His influences say plenty about that approach: Levon Helm, James Gadson, Mark Guiliana, Brian Downey and Jojo Mayer. 

His advice to players, from our chat with him, still stands up: surround yourself with good people who fulfil you creatively and personally. That is how original work gets made.

The details

• Dates: Saturday, June 26th & Sunday, June 27th 2027, Slane Castle, Co. Meath
• Support: Hayley Williams, Damien Dempsey and Madra Salach
• Tickets: on general sale now
• New album: Dopamine Chamber, out October 16th 2026

Two nights, 160,000 people, and a Mayo drummer counting it in. We could not be prouder. Roll on June 2027.

Read our 2018 interview with Tom https://www.irishdrummers.com/2018/05/tom-coll-drummer-with-fontaines-dc-be.html

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Remembering Glen Hansard: A Voice That Defined a Generation

 

The Irish music community has lost one of its most distinctive voices.

The passing of Glen Hansard marks the end of an extraordinary chapter in Irish music, but his songs, passion and legacy will continue to inspire generations of musicians and music lovers around the world.

From his early days busking on the streets of Dublin to fronting The Frames, starring in Once, and winning an Academy Award for "Falling Slowly", Glen's career was built on authenticity. He never chased fame—he chased honesty in his music, and that honesty resonated with millions.

For drummers, musicians and performers alike, Glen reminded us that great music is never about technical perfection alone. It is about connection. Every performance carried raw emotion, every lyric told a story, and every concert felt like a shared experience between artist and audience.

He also embodied the spirit of collaboration. Whether performing with The Frames, Markéta Irglová as part of The Swell Season, or countless fellow musicians on stages large and small, Glen understood that the best music is created together. His generosity towards emerging artists and his willingness to share the stage earned him enormous respect throughout the industry.

Away from the spotlight, Glen was equally admired for his compassion. His long-standing support for homelessness charities and his annual Christmas Eve busking events raised significant funds while bringing communities together through music. He demonstrated that musicians can use their platform not only to entertain but also to make a genuine difference.

At IrishDrummers.com, we celebrate every aspect of Irish music—from the rhythm section that drives a band to the songwriters whose words and melodies become part of our lives. Glen Hansard represented the very best of Irish musical tradition: honest songwriting, fearless performance and an unwavering commitment to his craft.

His influence extends far beyond awards or record sales. It lives on in every young musician who picks up an instrument inspired by his work, every songwriter who chooses authenticity over convention, and every audience moved by the power of live music.

Our thoughts are with Glen's family, friends, bandmates and the countless fans whose lives were touched by his music.

Thank you, Glen, for the songs, the stories and the inspiration.

May he rest in peace.

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Remembering Andrew Ranken – A Drummer Who Helped Shape a Generation

The music world was saddened to learn of the passing of Andrew Ranken, drummer with The Pogues, who has died at the age of 72.

For fans of Irish-influenced music and for drummers in particular, Andrew Ranken leaves behind a powerful legacy. His playing helped define the distinctive sound of The Pogues, a band that blended traditional Irish music with punk energy to create something entirely new.

A Rhythm That Drove a Movement

When The Pogues emerged in the 1980s, their music carried a raw authenticity that resonated with audiences around the world. At the heart of that sound was Ranken’s drumming — energetic, instinctive and perfectly suited to the band’s unique fusion of styles.

His rhythms helped drive many of the band’s most memorable songs and performances. The Pogues were never just about melody or lyrics; their music had a pulse and urgency that came from the engine room of the band, and Andrew Ranken was central to that.

Supporting the Sound of a Cultural Phenomenon

The Pogues became one of the most influential bands to emerge from the Irish diaspora music scene. Their songs celebrated Irish culture, storytelling and rebellion, while also bringing traditional influences to new audiences across the world.

Behind the charismatic front figures and iconic songs was a tight rhythm section, and Ranken’s drumming played a key role in holding it all together.

For many musicians, especially drummers drawn to Irish folk-rock and punk-folk styles, his playing remains an important reference point.

A Legacy That Lives On

Great drummers often shape a band’s identity in ways that can be easy to overlook. Andrew Ranken did exactly that. His work helped create the driving force behind songs that have become part of the soundtrack of generations.

His legacy lives on not only in recordings but also in the countless musicians influenced by the sound and spirit of The Pogues.

At IrishDrummers.com, we recognise the importance of those who have shaped the craft and inspired others to pick up the sticks.

Andrew Ranken was one of those musicians.

Our thoughts are with his family, friends and bandmates at this time.

His rhythm, energy and contribution to music will not be forgotten.

Ranken was a founding member of The Pogueson-based music group

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Lynda Clifford, a professional drummer singer from 1984 to 2020

Lynda Clifford, a professional drummer/singer from 1984/2020, played with many bands both in Ireland and abroad in shows, concerts, bars etc. 

From 2009, she was the drummer in the band Charm with her husband, Ray Clifford, and worked with Sonny Knowles on his tour, until Sonny's sad passing, starting that year in the National Concert hall, with Earl Gill, Jim Farley, Cork Opera House, Opera House Belfast, The Helix, Dublin and venues in probably most counties in Ireland.
 

Picture - This is a pic of Lynda and Ray. He was with Jo Mac and Stage Two(Cork band) and The Miami Showband (post Fran O’toole) Keyboards and vocals. 

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Graham Hopkins Drum Hang March / April 2025

 

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U2's War: Larry Mullen Jr's Drumming Masterclass - Precision, Power and Groove!

Is U2’s War (1983) one of the best Irish albums featuring great drumming, showcasing technical brilliance, groove, and creativity: Larry Mullen Jr’s militaristic drumming, particularly on Sunday Bloody Sunday, is a defining feature. #Irishdrummers #Drums #IrishRock #DrummingLegend 
 

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Spotted in the Wild! Irish Drummers Volume 1

 Spotted in the Wild! 

Calling all music lovers and rhythm enthusiasts! A fantastic drum book on Irish drummers was spotted in Charlie Byrne's Bookshop in Galway.

 Dive into the rich stories, beats, and rhythms that have shaped Ireland’s drumming scene. From legendary players to modern maestros, this book celebrates the heartbeat of Irish music.

 Don’t miss your chance to grab a copy—whether you're a drummer yourself or just love great music history, this is a must-read!

#IrishDrummers #DrummingLegends #MusicBooks #SupportLocalAuthors

 

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English Teacher "The World's Biggest Paving Slab" Drummer Douglas Frost

 

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One of our favourite Christmas pics!

 

Yes, it's close to that time of year again and we love this photo of Cian Doherty of The Burma.

Photo credit Ciara O Toole

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Cian Doherty, Drummer with The Burma

How did you get started with drumming? 

My family are in the Music Business so I've been around Music my whole life. I started playing at 17, which I guess was a bit late in some ways. My parents got me my first kit for my 17th birthday and it was all up from there! After 3 months I had my very first gig playing with my brother at a school show. I loved it and haven’t looked back since. A month or two after that, I was lucky enough to see Chad Smith at a really small master class in Dublin and that took my motivation to play to another level.

 

What type of drums do you prefer to play? 

I have two main kits that I use -  a Gretsch Brooklyn which is nice and compact and a bigger Ludwig Classic Maple. They’re two beautiful and very contrasting kits. I chop and change between both of them all the time. My go to snare is a Ludwig Copperphonic 6.5x14 and my cymbals are all Istanbul Agop. They’re incredible cymbals and usually if I get a comment from somebody about my gear after a gig, it’s about my cymbals.

Who are your favourite drummers?  

Steve Jordan, Chad Smith, Carter Mclean, Aaron Sterling, Dave Elitch, Steve Gadd & Graham Hopkins. 

What songs / albums inspired you the most?

John Mayer - Where the Light is Live in L.A

Skinty Fia - Fontaines D.C

Daft Punk - Random Access Memories 

Eminem - The Eminem Show

Starboy - The Weekend 

What’s your favourite The Burma track? 

Our newest single “Holiday”

What advice would you give to someone who wants to start playing the drums? 

Find yourself the best teacher you can. Learn from people who know what they’re talking about. My first teachers were Danny Byrt and Fionn O Ceallachain and they were a huge part of why I went down the path that I did and got me to where I am today. A good teacher can help you progress on the instrument at a much quicker rate. Also record yourself constantly, even just with your phone. Listen back, make adjustments on what you like, or don’t like and repeat. 

Play with as many people as you can and prep for each gig you have even if it's a familiar or easy gig for you. There's always room for improvement and the attention to detail won't go unnoticed.

Photo Credit: Ciara O'Toole

https://www.theburmamusic.com/

The Burma Spotify

The Burma Youtube
 

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Gary Wickham, drummer with Silverbacks

Who are your drumming influences?

I really love Glenn Kotche of Wilco and Mervyn Craig from The Redneck

Manifesto. I sit down and I wonder how they come up with the beats to their songs.

The way they play is different to the way I do. They’re drummers that I love and will always go back and listen to. Another drummer that has really influenced me is David Lovering of  the Pixies. Over the years, while I was playing, even in cover bands, I used to steal ideas from Dave and the Pixies. Pixies not only influenced me but also pretty much all of my friends. Also I really admire Levon Helm of The Band. I absolutely love their music.

 How did you get started?

Well my dad was a DJ. We always had music in our house although no member of my family played an instrument but then in primary school, in order to get out of class, I volunteered for the marching band. I played with them until I was sixteen or seventeen. It involved a couple of years of just snare drum. It was a novelty because we were all young and my friends and I played in parades like St. Patrick Day and in competitions.

What are your favourite songs and albums?

This is always a hard one. Over the last year or so during the Covid-19 lockdown, I was listening to a lot of music that was familiar. I was listening to a lot of Van Morrison.

My favourite album of his currently is St Dominic’s Preview but it changes all the time. I recently started listening to Arthur Russel as well. “Love is Overtaking Me” is the album I have been listening to most.

 What’s next for the band?

Well the new album is out which is great and we’re looking at getting out an album a year. With our first album we had the songs ready and we waited six months for a record deal that never materialized. I imagine by the end of this year we will have a third album recorded that we’ll try to get out for next year. The guys are really prolific and they always have songs on the go. We’re playing Whelan’s on the 20th of May and we’re also due to go to the UK and Europe and play a couple of dates over there in May.

 What’s your favourite song on Archive Material?

 Well the song I tend to go back to the most is Central Tones. I’ve done a complete U-Turn on this because it was originally the song I suggested shouldn’t be on the album. Another song which I really enjoy is Archive Material because it has a really good vibe.

 Do you play certain songs differently live as opposed to the recorded version?

Gary: Yeah it’s actually quite funny because with the first album we had recorded it but we were playing those songs for at least a year or 18 months beforehand but because of the Covid-19 lockdown, with all the stuff on Archive Material, we haven’t really been playing those songs live except maybe 2 or 3 times. When we went back out again on tour last October, we started in the UK and we did a couple of dates around Ireland at that time. When we started playing the songs I was thinking maybe I should have played it a different way. At the end of Archive Material itself, I have this sort of shuffle beat where it slows down and I kind of have regrets about that. With the new album, we wanted it to be more of a studio album so we used more percussion but we were conscious that we needed to replicate it live. On the song, Different Kind Of Holiday, when we recorded it in the studio, we used a lot of percussion and when we went out live, I wondered how I could replicate it, but we managed to recreate the feel which is the most important thing.

When it comes to arranging songs how much of an input do you have in that process or is it left to one or two band members?

The way it works is that Daniel and Killian will do a demo, they love to demo everything. They will write all that stuff and I can’t really sit down and listen to it because if I hear the song 5 or 6 times, I end up thinking that’s the beat. All I can hear is the way that they recorded it and I can’t get that out of my head. I don’t really want to get locked into it. So what we do is bring in the song, break it apart and then put it all back together again. It’s funny when you hear songs like “Different kind of holiday”, “Archive Material” or anything like that, they’re different from the demo and we’re in a lucky position that no one is precious about the material. Everyone will have a say and everyone plays a part.

There’s no doubt you take your music seriously but also in listening to the album, there’s a real sense of fun

Yeah you’re right, anyone who comes to our gigs and hears our music, they know we take it seriously but they know they’re not just listening to a dour rock band. They’re also listening to a band that has a lot of humour and fun in their lyrics and music.

 What advice would you give someone that wants to start a career in music?

The main thing I would say to people is to start a band with your friends. Get as good as you can. It’s only when you go out and play live that you really get your groove. The best thing is to just join a band.

Gary is the cool dude with glasses

Photos Credit; Róisín Murphy O'Sullivan

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Johnny Bonnie - Drummer with Trouble Pilgrims

 

Can you tell us about the new album and your favourite tracks on it?

The new album - Blood, Glass and Gasoline, was put together in 2020 at Hellfire studios in Dublin. We were originally to start in March but because of lockdown we had to cancel. Then we got a window in September where we worked hard for two weekends to do as much as we could. In 2021, Pete finished putting his new studio “Pilgrim Sound" together and the album was mixed and completed there. The album is the bands second and has eight tracks.

My favourite tracks on the album are, “Old Days" written by Tony. He has a great way of writing emotional lyrics to go with the music and this song certainly brings out a lot of passion when we play it.

And Pete's “Light a penny candle” It’s a story of Pete’s experience of walking through Dublin City and encountering the homeless. I feel it will be a become a true classic of Irish Music.

 

How would you describe your drumming style?

I like to play a very precise and straightforward style as a good foundation. I play hard and like to drive the music à la punk rock.

I came across Dr. Feelgood when they were on a TV show called “The Geordie Scene" and I admired the drumming of John Martin (The Big Figure). They say the Feelgoods were the influence of a lot of the early punk bands.

I have been very lucky to play with a lot of bands over the years and try different styles of music such as country, rockabilly and blues.

I really love that big punchy beat that the audience feels pounding through the PA.

Who are your favourite musicians?

Terry Chambers from XTC

I really liked Terry as he had a style which was his own and when I went to see him perform, I was amazed at his ability. Another drummer I love, who had this unorthodox style was,

Hughie Friel from the Irish band The Atrix.

And of course ...

The great Clem Burke- A left-handed drummer who plays a right-handed kit.

I met Clem at a gig he did in Whelan's a few years ago. That trick of his of throwing a stick in the air and catching it without missing the beat? Well in Whelan's he did it and it hit the ceiling and rebounded back at him fast, but he still caught it,and didn't miss a beat, -magic!

  

What are your favourite songs/albums?

 

Songs

Dr. Feelgood - Roxette

The Go Betweens- Right Here

The Records- Starry Eyes

Hugh Cornwell -Going To The City

 

Albums

The Flys-Waikiki Beach Refugees

Blade Runner-1982 soundtrack

Calexico-Hot Rail

X.T.C. - Drums and Wires

 

What advice would you give someone wanting to learn the drums and be in a band.

I started out in 1978. We sat around a table in Ireland's first McDonald's, in Grafton Street and we each picked what instruments we fancied playing. That band was Skank Mooks. I picked drums and at my first gig in Saint Anthony’s Hall, I asked Paul Bibby who was The NewVersions drummer,could I get a go on his kit after he sound checked as I had never sat on a kit before and I was doing my first gig that night!!!

I'm self-taught. I never got lessons, but I think if I was starting off today I definitely would. I suppose I was lucky that punk was just born and that gave me that motivation to get into music. There are now a lot of online learning sites which are mostly free and are worth a look.

Try to play with people you get on with. It’s important that everyone gels and you need to listen to different styles of music. Enjoy what you’re doing is the most important thing.

 

What drum gear do you use?

I have two kits at the moment.A vintage 1960s Pearl kit with a light blue Pearl wrap and a Tama Star Classic Bubinga with a Marigold sparkle wrap.

The Pearl kit I bought in 1978 and it took me through the early punk years. In later years I gave it a full restoration job and it came out gleaming.

Pearl:  22-inch bass drum, 14-inch snare 13-inch Tom 16-inch floor Tom

Tama:  24-inch bass drum 14-inch snare 12-inch Tom 16-inch floor Tom

The Tama Kit is Bubinga which is harder wood than Maple or Birch but that does make it heavier to carry around. Which kit I use on the day sometimes depends on the load into the venue because of the weight of the Tama.

I also use

Sabian and Paiste Cymbals

DW9000 bass drum pedal

Porter and Davies BC2 silent tactile bass drum monitor.

Wincent XXL5A drumsticks.

Photographer credit;

Tama kit pic, credit John Ward.

Pearl kit pic, credit Vanessa Byrne.

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Dave Clarke - Hothouse Flowers also Songwriter / Producer / Drummer, solo and with numerous music artists

 

How have you been coping during the Covid-19 pandemic?

It hasn’t been too bad over all. But, there have been ups and downs just like for everyone else, I imagine. Fortunately, I have a set of drums at home which I can play at any time because I’m out in the country side. So I do try to play every day, it’s always a work in progress. I’m on the coast. A daily swim in the sea and a walk on the beach has also helped my sanity! I like to sketch with oil pastels. I’m collecting ideas for future new music projects in everything i see and do.

 

How would you describe your drumming style?

I am a musician first and drummer second. I play for the song or piece of music. I think my style is quite simple, really and usually, simplicity is what’s required to make it work. This can be trickier than people think. I’m a product of all the people I’ve played with, the music I’ve listened to, and the places I’ve been to over the years. Plus, my own personality informs my playing. I’ve been a Zildjian Cymbals endorsee for 30 years. Click on the link for my Zildjian Cymbals profile from the Zildjian Cymbals website.

https://zildjian.com/dave-clarke.html?fbclid=IwAR2B5YZX9evXdcbgLCWcGM8Z4UyWYFHdwuXCFe_ncY5919eGpHl9djmk3tg

I’ve been a Pearl drum artist endorsee for 17 years. Click on the link for my Pearl drum artist profile from the Pearl drum company website.

https://pearldrum.com/eu/artist/dave-clarke/13731

Who are your favourite musicians?

Well, in terms of drummers, I think there is a deep well to go back and tap into within Jazz, World Music, and the Blues.

I love Jack DeJohnette, his playing is really musical.

Elvin Jones is someone I go back to a lot and listen and watch, always in control but right on the cliff edge it seems to me.

Tony Williams, I really love the rawness and power and honesty of his playing.

Tony Allen, who was one of the main driving forces in the genre of Afrobeat music and his playing with Fela Kuti, as well as his own solo records.

Carlton Barrett with Bob Marley who is famed for popularising the one drop rhythm apart from his amazing playing Bob Marley and the Wailers.

Mitch Mitchell with Jimmy Hendrix.

Ginger Baker with Cream.

Jimmy Cobb with Miles Davis.

Hunt Sales with Iggy Pop.

Ronnie Tutt with Elvis.

Fred Below with Chuck Berry.

Phil Rudd with AC/DC.

Earl Palmer with Little Richard/ Fats Domino/ the wrecking crew and so many other great artists that he played with.

That’s just the tip of the iceberg! So many great musicians across all genres and time.

What are your favourite songs / albums?

This is hard also as there is so many great albums / artists and songs that I love.

This is an incomplete list in no particular order:

The Idiot - Iggy Pop - Hunt Sales drums.

Lust For Life - Iggy Pop - Hunt Sales drums.

Joy Division - Unknown Pleasures - Stephen Morris drums.

PIL -

Metal Box - Keith Levene drums on Poptones.

Echo and the Bunnymen - Crocodiles & Heaven Up Here - Pete de Freitas drums.

The Sound - From the Lions Mouth - Micheal Dudley drums.

Sly and the Family Stone - Stand & There’s a Riot Goin’ On - Greg Errico and Gerry Gibson drums.

The Rolling Stones - Aftermath & Exile on Main St- Charlie Watts drums.

The Beatles - Revolver / Rubber Soul & Abbey Road - Ringo Starr drums.

Neil Young - Harvest - Kenny Buttrey drums.

Myles Davis - Bitches Brew - Jack DeJohnette drums.

Sketchs of Spain - Jimmy Cobb drums & Elvin Jones percussion.

Kind of Blue - Jimmy Cobb drums.

The Doors - Morrison Hotel & the album The Doors -

John Densmore drums.

Bob Dylan - Blonde On Blonde - Kenny Buttrey drums.

Modern Times - George G. Receli drums.

The Psychedelic Furs - Talk Talk Talk - Vince Ely drums.

The Who - Won’t Get Fooled Again - Keith Moon - drums.

Led Zeppelin - Kashmir / Ramble On - John Bonham drums.

Lou Reed - Transformer - John Halsey drums.

The Velvet Underground & Nico - Album of the same name - Moe Tucker drums.

David Bowie - Low - Dennis Davis drums.

The Ramones - It’s Alive - Tommy Ramone drums.

Dave you have an incredible and impressive drumming C.V. Can you let us know some of the amazing musicians, studios, bands and producers you are currently and have been involved with?

From Amuse, Blue in Heaven, The Blue Angels,The Black Velvet Band, Eddi Reader w/HHF, Mary Coughlan, Warren Zevon ,

Maria Doyle Kennedy, Glen Hansard w/Hank Halfhead and the Rambling Turkeys, Kieran Kennedy, Gemma Hayes, Paul Tiernan, Fleadh Cowboys , Something Happens,John Martyn w/HHF , Supernaut, Shane MacGowan

w/HHF, The Dubliners w/HHF, PreNup, The Revenants to name a few.

Working in the studio with Producers like Martin Hannett {Joy Division, New Order, Factory Records}

Chris Blackwell {Island Records, Bob Marley,

U2, Steve Winwood}

E.T. Thorngren { Talking Heads, Black Uhuru, Bob Marley }

Jimmy Miller { The Rolling Stones}

Donal Lunny { The Bothy Band, Planxty, Moving Hearts}

Edge {U2}

Working in studios like Windmill Lane studios, Dublin.

Compass point, the Bahamas.

Abbey Road, London.

Townhouse, London.

Sarm West, London.

Strawberry Studios, Manchester.

Eden

Studios, London.

And a lot of the big studios and small of the day, sadly mostly gone now.

Touring with Blue In Heaven opening for bands like:

The Cramps

Orange Juice

The Cult

The Alarm

U2

Simple Minds

PIL

The Damned

New Order

Echo and the Bunnymen

Art of Noise

The Chameleons

China Crisis

The Boomtown Rats

John Cale

Theatre of Hate

Spear of Destiny

Self Aid in the RDS Arena Dublin 

and for the last 21yrs HotHouse Flowers, touring and recording, tv Shows, playing festivals like Glastonbury, Fuji Rock in Japan and many others.

The Grand Tour on Amazon Prime, recorded in the Mojave desert.

Burning Man, Black rock desert, Nevada.

Hothouse Flowers latest album “Let’s Do

This Thing” is out now. We made this record over the course of a great week of work in Windmill Lane Studios, Dublin.

Released 2020.

Available on all digital platforms:

https://music.apple.com/ie/album/lets-do-this-thing/1502339727

What is the secret of your success?

Well, I think ‘musician first,  drummer second’ is an important thing for me when

working with other musicians.  Playing what’s best for the song or piece of music you are

working on. For any musician, it’s important to always be aware of what’s going on. So, you have to learn to watch and listen. You’ve got to be able to get along as you can be with the same people on the road or studio for long periods of time. 

Be prompt and know the required material.

Listen to all types of music.

Learn another musical instrument.

Start writing music/songs. This will all help when playing what’s needed.

Nothing should get in the way of what’s required to make the music work and flow in the right way.

Enjoy the music and playing

always - have fun!

Apart from drumming you also write and record your own material. In fact Hotpress magazine said of  Listen For The Signals that it is a timely, provocative kick against over-polished production – and it’s well-worth wrapping your ears around. You must have been well chuffed with those comments?

Yes, a very good review for that album. It was much appreciated at the time.

It’s fantastic when a piece of work you have made gets

that sort of recognition.

I have three solo albums out which i have written, recorded and produced.

I play all the instruments and sing on them.

They are song based albums so no big drum solos!!

 

There Was A Girl - 2010

 

http://itunes.apple.com/album/id343200477?ls=1&app=itunes

 

Hey You - 2013

 

http://itunes.apple.com/album/id699379581?ls=1&app=itunes

 

Listen for the Signals - 2019

 

http://itunes.apple.com/album/id1454539382?ls=1&app=itunes

 

Available on all digital platforms.

 

https://www.facebook.com/Daveclarkerocks

 

https://www.instagram.com/daclarke5/?hl=en

 

https://mobile.twitter.com/daveclarkerocks

Photo Credits; Marcelo Biglia / L Campos-Moya

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