Sunday, 2 July 2017

Irish Drummers; John, when did you start drumming?

I started drumming when I was about 15/16 years of age and had just seen Tommy McManus, who was probably the same age as me, play with Mamas Boys in Ashbourne Community Centre. Everything about that first gig turned me into a drummer. The three brothers, Pat, John and Tommy walked out for a sound check and went straight into ‘Needle In The Groove’ and that was that, my Eureka moment. I had to drum.

Irish Drummers; What was your first drum-kit?

My parents, Eamon and Rita, were hugely supportive of my noisy obsession and bought me my first Pearl kit in Dempseys Music Shop, Parnell Street, which is now sadly closed, another Dublin music institution which is unfortunately now long gone.

Irish Drummers; What is your drum gear/set-up?

I'm lucky to be endorsed by an amazing British Drum Company called Liberty Drums U.K.
They're based in Shildon, County Durham, in the United Kingdom and I travelled over to their factory last December and Andrew Street, who owns the company, built a kit to my specifications.

It's the show kit for the VISIONS OF FLOYD concerts;

Toms
10"×9"
12"×10"
16"×16"
18"×16"

Bass drums-(22"×20")×2

Snare-14"×6.5"

All constructed with Elm Burr/ Cluster wood and they sound amazing. Definitely the best drums I've ever played.

I use Sabian cymbals, rototoms, a bell Alesis samplepad for triggering, our original videos and animations and a gong for our live shows. No cowbell!

Irish Drummers; Who are your influences?

Early influences include;Tommy McManus, Brian Downey, Ian Paice, Carl Palmer and Neil Peart. Drummers like Steve Gadd, Billy Cobham, Vinny Colaiuta, Dave Weckl and Buddy Rich were people I realised you had to watch because they were the drummers pushing the limits all the time.

My current musical influences include Steven Wilson, Mike Portnoy, Craig Blundell, Virgil Donati, Gregg Bissonette and Gavin Harrison. There are so many amazing drummers out there it constantly reminds you of how limited your own playing is, haha!

Irish Drummers; What projects are VISIONS OF FLOYD involved with?

We've sold out twice in the National Concert Hall and played the Olympia Theatre on Saturday, 17th June which has gotten amazing reviews/ feedback and attracted a lot of new followers and Facebook/ social media interest.
We've huge plans for the band and are currently developing our stage show with production manager, Paul Hunt. The visual element of our show is uniquely ours and is being developed on an ongoing basis, so future concerts will be distinctly Pink Floyd but have instantly identifiable VISIONS OF FLOYD elements. 2018 is going to be busy.

Irish Drummers;  What are you’re favourite venues?

I've been lucky enough to gig in brilliant venues around the country like Monroes in Galway, Spirit Store in Dundalk, Button Factory, Grand Social,etc. but walking on stage with VISIONS OF FLOYD in the National Concert Hall and the Olympia is hard to beat..so far!

Irish Drummers; What makes Irish Drummers unique?

Irish people love music, we've long musical traditions and for the country's size we punch way above our weight musically and I think that motivates a lot of us.There's some incredible Irish drummers out there gigging every weekend and any of my drummer friends will help out with gear or deputise at the drop of a hat if needed and then spend six months reminding you constantly what a legend they are, so I've always found the community really friendly, haha!

Irish Drummers; What are your favourite songs?

My three favourite drum-breaks/songs are:

1.Honor Thy Father-(intro) Dream Theater.
2.The Mule-Deep Purple
3.Shyboy-Steve Vai

Irish Drummers; Thanks John, anything else you'd like to add?

Just to say the very best of luck to everyone at irishdrummers.com Keep up the good work and continued success.



Saturday, 10 June 2017

Irish Drummers; Conor, how did you get started?

I started playing when I was 14 years of age. I grew up in a house of jazz and classical music. My brother Ronan started to play guitar which later became bass so I had to pick an instrument and I picked the drums. It was really that simple.
Irish Drummers; Did you get any lessons?
I didn’t initially, but after a few years I studied with John Wadham. John was a modern jazz guy which was unusual for Dublin in the 70s to say the least. He had many students and was an important figure on the scene. There were a few of us aspiring jazz drummers that studied with him at that time. Stephen Keogh was one, a very good drummer who now lives in Spain. We were his jazz guys, so to speak. John’s lessons weren’t about technique and rudiments; it was more of a music lesson rather than a specific drum lesson. Later on in my 20s, I went out to Drummers Collective in New York to study, that’s really where I learned how to read and get my technique together.
Irish Drummers; What was the first band that you were in when you started drumming professionally?
 Well using the word professionally loosely as money never really came into it, Ronan and I along with our brother in law Ray had a band called Spectroscope when we were teenagers. We played what was called jazz rock,which is now fusion I guess. We did our own thing as a band, played around, did some festivals and even appeared on the telly, which was a big deal back then, especially being 16/ 17 years of age.
Irish Drummers; What was the driving force behind it and what kept you motivated?
We were so into the music, thought about nothing else, did nothing else. After my Leaving Certificate, I worked jobs for a few years but music was everything and in many ways it still is.
Irish Drummers; Who are your influences?
There are so many, it’s hard to know where to begin. I’ve always loved the classic jazz guys, I don’t have a favourite drummer per say but If I had to pick it would be one of the Joneses, Philly Joe or Elvin, Of course I also love Jack DeJohnette, Tony Williams, Roy Haynes, Art Blakey, Max Roach, Billy Higgins, Billy Hart, Al Foster, Victor Lewis and on and on. I’ve been heavily into Latin music for a long time and that has also influenced me hugely. I have had various salsa bands over the years and wrote a book called “odd meter clave for drum set” which was a mix of my two worlds of jazz and Latin.
 Irish Drummers; Conor, can you describe your role at Newpark?
Right now I’m one of the drum teachers but I would’ve been there from the very beginning, when we started out our first jazz classes in the late 80s. That evolved into a full time course, which 10 years ago became the first Jazz BA programme here. Ronan, who has always been at the helm, is now taking it to DCU this year so that’s a huge move for all of us and a big step for the development of the school.
Irish Drummers; What advice would you give to someone that wants to take up drumming as a career?
Things are very different now than what they used to be, the post internet generation are much more technically advanced on their instruments and you have to be too. It’s just taken for granted. You have to know various styles and be able to read well etc. People say you have to have connections to get a break and it’s often true, but you also need to be prepared if it happens.
Irish Drummers; Is it more difficult for drummers nowadays?
It’s always been difficult.  Nowadays those difficulties are just different. I’d say there’s more opportunity to learn and it’s much easier to be technically better. Years ago it was harder to get the information, if it wasn’t for certain people you wouldn’t have a clue what was going on in the world.
Now it’s just the click of a mouse and it’s all there, which is great but in many ways you can feel like you’re competing with the world, something I didn’t have to contend with.
Irish Drummers; Do you find that it’s easier to teach students nowadays because they have much more access to information?
Yes and no, remember, information and knowledge are not the same thing. Playing well and appropriately for the given musical situation is still something you have to do on the gig, regardless of how many videos you’ve watched. As I said it’s great that the access to information is there but it doesn’t make it any easier really, you still have to do the work yourself. Things are still the same in that way. I sometimes wonder if I had a computer in my room would I have done the same amount of practice. Who knows?
Irish Drummers; What are some of your own favourite recordings?
I did an album with saxophonist David Liebman back in 1989 that really started me off. It set a standard to which I tried to aspire for many years.  I also like the recording of my Cuban band called ‘Saoco’. That was the first time salsa, as it’s known now, was recorded in Ireland. Later on I recorded with another of my groups called “Havana Son”, which I like too.
I’m proud of a trio recording with Ronan and Michael Nielsen,where we took standard tunes and played them in odd meters. This was back in the early 90s and was actually pretty ground-breaking for its time, and in many ways still is. It was never released, but I managed to digitise it and you can download it free on my website.
 Irish Drummers; Describe to us your drum gear?
I play Zildjian cymbals and Pearl drums. I have endorsements from both companies. I have two kits both from the Masterworks series. Beautiful drums. One of them is jazz sizes with maple shells, the other is bigger with maple/mahogany shells. I’ve had them both for 15 years and no plans to change. Unlike me they are sounding better with the years (laughs).
I have many cymbals, Zildjian have been very supportive. My favourites are the KCon models which I honestly believe to be the best cymbals in the world and I’m not just saying that because of my endorsement.
Irish Drummers; What type of drum sticks are you using?
I like Vater 8D or 7A depending on the situation; mind you the Vic Firth models are nice too.
Irish Drummers; What kind of instruments are you using for percussion?
I play timbales and bongos when I’m playing Latin music, again both made by Pearl.
Irish Drummers; In your opinion, what makes Irish drummers unique?
That’s a hard question to answer because the world has shrunk and your country of origin has less to do with how you sound than it used to. I don’t mean that as a criticism, it’s just a fact and often an advantage. Pre-internet, we had a much closer relationship musically with America, that and the fact that traditional Irish music is based on triplets helped us to relate to Afro American music in a way that was unique to us. Maybe that gave us something that was ours, I don’t know.
Irish Drummers; Apart from drumming, what other interests have you got?
I love sport actually, though more from the armchair these days. I used to do a lot of competitive running and I still like to run for fitness. I also love to read and spend too much time in the garden, but to be honest music has been, is and always will be my hobby
Irish Drummers; What projects are you involved in at the moment?
Music education has been my direction over the last 10 years and I’m working on a new book, but I always need to keep creative musical projects going on too. There are a few things at the moment. I’m playing in an organ trio with Julian Colarossi who is an Italian guitarist living here. I’m really enjoying that. I also have a Latin jazz quintet called Conclave where we mix jazz and Latin in a unique way.  I’m playing in a trio with saxophonist Michael Buckley this week, so there’s lots of things going on at the same time. I’ve just finished an album with a singer/songwriter called David Rooney, which I thoroughly enjoyed and I believe sounds very good, but it’s the move with Newpark to DCU that is the big thing at the moment.
Irish Drummers; What’s your preference, recording or performing live?
Live, without a doubt, I mean I enjoy the studio, but I prefer performing live, particularly smaller gigs rather than concert venues, I want to be able to see the people I’m playing to, I want to be close to them and them close to me. I’m not talking pubs but rather music club venues where people come to see the band and they are in close to the musicians. That way you get that whole feedback from them. I do enjoy the recording process but there’s nothing like playing live gigs.
Irish Drummers; What are your favourite venues?
I was playing in this place called Arthurs recently, it’s a new club that opened in Dublin and there’s a lot of music going on in it. As for the bigger venues, I like playing in Vicar Street as it still has a club atmosphere. JJ’ Smyth’s which has now closed, was always great; you could almost smell the crowd never mind seeing them (laughs)
Irish Drummers; What are your favourite venues internationally?
That’s a difficult one to answer. In the type of music I play we don’t tend to play big venues, though I have. Every city in Europe has nice theatre venues and clubs and I have had the good fortune to play in many.
Irish Drummers; I recently saw Ronan, are there any plans for the family to play together?
We play together all the time depending on the various situations. Ronan’s son Chris is a fine guitarist and we do a trio thing called 3g. Ronan is seriously busy at the moment with the move to DCU, but we’ll be playing again soon. I’m sure of it!

Main photo credit; John Cronin, Dublin Jazz Photography

Sunday, 28 May 2017

Montauk Hotel, a 4 piece band based in Dublin, have been garnering a lot of attention, particularly after the release of their debut single 'Black Dress' back in January. We decided to ask their drummer Karima Dillon EI-Toukhy some questions. 

Irish Drummers;  Karima, how did you get started?

I took a term of lessons when I was about 17 years old. I learnt the basis of a few different time signatures and a few simple fills. I didn't have my own kit to practice on, nor access to one, so I didn't continue with the lessons, even though I enjoyed them. It was too frustrating not being able to put what I was learning into practice! Fast-forward 12 years and I'm studying music production. We were encouraged to record each other for class assignments, and the odd time a drummer was needed I stepped in. When I was invited to play with Montauk Hotel last year I didn't know what to expect! But happily for all, my style of drumming seemed to fit the style of the band and that’s where I'm at now!

Irish Drummers; Who are your drumming influences?

Mike Joyce and Larry Mullen Jr– straight-up, down-to-earth, honest drumming.

I would also take some influence from the drumming of Keith Moon (The Who), Gordy Knudston (The Steve Miller Band), John Bonham (Led Zeppelin), Phil Rudd (AC/DC), Frank Beard (ZZ Top), Ron Hurst (Steppenwolf) and Jim McCarty (The Yardbirds).

There are some local drummers such as Kenny Doran who have been a personal influence on my drumming. Also to mention that Ronan and Oisin from Music Maker have been really helpful and supportive of my trying to get my drum bits together and sprucing up my kit!

Irish Drummers; What is your drum gear setup?

I have a standard kit with 2 rack toms, although I use the floor tom the most. It’s a Pearl kit, a Gretsch snare, Paiste crash cymbals (16 and 14 inch) and a ride, with a great tone. I also have a pair of Zildjian hihats with holes in them, which give a clean sound.

Irish Drummers; What are your favourite venues?

There are some fantastic venues that we have played in but if I had to pick a favourite it would have to be the Whelans stages. Great overall sound and we've had the best monitor mixes there – which is always helpful when playing live!

Irish Drummers; Can you tell us your favourite songs?

There are so many to pick from but when I joined Montauk Hotel they gave me their influences of The Smiths, The Cure, Roxy Music and The Pretenders. Listening to these helped to develop my style of drumming to suit the sound of the band. 

Irish Drummers; What upcoming projects are Montauk Hotel involved in?

Montauk Hotel released our debut E.P. in March with a sell out gig in Whelans. So the next few months we are focused on promoting the E.P. with gigs in The Grand Social and Sin E, as well as the festivals this summer. Our E.P. is streaming on Spotify and Soundcloud and available for download from our Bandcamp too!

Photo credits; Mark O'Connor & Tiberio Ventura























Sunday, 21 May 2017

Irish Drummers; Callum, when did you start drumming?
I started drumming when I was 15, which was later than I would have liked to pick up a pair of drum sticks, especially when you see these rhythm ninjas on YouTube, upending their kits and they're only 7&8. Fecking x-men drumming but I knew from the moment I saw one of my best mates gigging in a local GAA club that I needed to be a drummer...not to mention, the amount of attention he was receiving from all the girls made me even more curious.

Irish Drummers; Who are your drumming influences?

The older you get and the more music that comes into your life, the more you evolve as a drummer. I started playing drums because one of my best mates, Eoghan O'Brien (No Monster Club) hypnotized me when I was back in school. After a few weeks of sitting out in Eoghan's shed, learning 'The Pixies - Where Is My Mind' I was ready to play live. This was at a school assembly we had one morning where Eoghan played electric and I played the kit while trying not to murder 'The Strokes - Last Night' . After that, I held onto MUSE for many a year and Dom Howard became my main influence. 

Irish Drummers; What is your drum gear setup?

My kit is f**king nuts looking. Haha it's originally a Pearl Masters Custom which evolved into a blue hybrid MadaFaka. Jack Maximus* With the help and creative genius of Burnt Custom Drums / Overdrive, Bobby Vickers turned my kit into a fractal equation. I'm still trying to explain what the hell that means but I haven't nailed it yet. The artwork on the wrap is inspired by H.R. Giger, the creative mind behind the artwork for the Alien movies. The rims have been powder coated blue which is being chipped away at but f**k me, when the light hits it live, it's pretty cool. GO ON BOBBY V!!! 

Shell Sizes are : Kick 20x22
12×10 rack, 14x14 & 16x16 floors. 

Using a Tama Superstar snare at the minute as I felt 'Wild Youth' needed a poppier wooden snare rather than the brass sensitone I've been using for over half my drumming career. 

Cymbals ... are in f**king shite condition at the moment but you just have to get on with it.


Hi-Hats  13" HHX groove hats.
18" AAX Ozone
18" AA Thin Crash (f**king demolished)
21" AA raw bell, dry ride
I'm itching to get my hands on the Roland SPD-SX but that'll be down the line after I've robbed a bank (only kidding).


Irish Drummers; Callum, what are your favourite songs or albums?

Ahhh Jaaasus come on now. There is no answer for that wan... eeehhhh... it's all very mood based. I believe as a drummer you can't be biased towards different types of music and genres because you draw influence from absolutely EVERYTHING. Even if you don't think you're properly listening, the brain is listening all the time. One day I can blast Aphex Twin for the day and then the next I'm on a Sigur Ros buzz. You need to be listening to everything to constantly be learning, adapting to different styles and arrangements around the kit. There is SO MUCH music out there from all corners of the globe. It's ALL inspiration and motivation. 


Irish Drummers; What are your favourite venues?

I've been lucky enough to play most venues in Ireland because of the previous band I was in called 'Bipolar Empire'. Most gigs we played were high energy and I always found the gigs that were most fun and memorable were the Whelan's and Button Factory gigs. Such great rooms and you can pick people out in the crowd to bounce off and it makes the shows more personal but the sound system in The Academy and The Olympia gets me excited every sound check. The minute you hit the kick drum for the first time, you get this tickly feeling at the top of your japseye like when you were a toddler and your ma went too far ahead of you in a shopping centre hahaha... just Me??? Right! Cool, I'll let myself out... thanks for having me...


Irish Drummers; What current drumming projects are you involved in?

Current project, passion, love, is mah boys, WILD YOUTH. It's been a few years of hiding, writing every day. Writing around 150 songs, maybe only 5-10 (at a push) of them are any use but if you're not consistently writing, you're never going to progress. You will have days when you wanna throw yourself out of the highest window in the house (bit much?) But I'm being honest here. You write from 10 in the morning until 7 in the evening for five days a week. Trying to find your sound, trying to play to each persons strengths in the band, creating this unity, an unstoppable force and all the while making music you are proud of and excited to share with people you've never met before. This is the world we get ourselves into for love and passion of our instruments, our skills, our music. It's not easy but you should NEVER give up...or at the very least until you feel you have nothing left to give but those days come and go. You gotta stay strong and keep, keeping on ;) 
I haven't released anything with my drumming on it in years and 'Wild Youth' are just about to start a new journey together and I’m super excited but also quite nervous. If I wasn't, I wouldn't be human. 


Irish Drummers; What advise would you give to someone interested in drumming?

If you feel you have rhythm and a buried passion for hitting wood with two sticks of wood, get on that shit NOW! Don't wait!! It's such a powerful instrument. Great for the mind. Great fitness, helps with your breathing. Fantastic de-stresser, which makes for a healthy soul and all the while you're getting to put your mark on the drumming world. Coming up with fun grooves to play for the rest of your life is the most fun part for me. I still have sooooo much to learn but I’m excited for those years. I just want to create drums that I will always enjoy playing and hopefully other people will enjoy playing along as well.
Once you get over the first 6 months of cursing at your hands and feet for not being synchronized, then the fun really begins. Learning Bonham triplets, studying the insane drumming of Keith Moon and trying to fill in the pocket, like the fantastic Mitch Mitchell. 
One thing I would definitely encourage is while you're learning, keep a metronome going in your ears. Very important for vibes of a song, being able to play on or around the click....f**k me that was a lot... if you made it this far... well done you! Looking forward to getting on the live circuit and seeing all my favourite Irish drummers again.

Thanks for having me.

Cal x

WILD YOUTH's debut single ALL OR NOTHING is out at the end of May 2017.
 

Photo credit; Hamish Kay 

Sunday, 7 May 2017

Irish Drummers; When did you start drumming?

I started drumming when I was 12. I went to my local music shop called The Sound Factory to look at my options and I decided on a Peavey kit. My brother played guitar and bass at the time. He helped me out by paying for half the kit to get me started. I still have most of that kit knocking around back home. After a couple years of playing, my Dad built us a small studio with a nice sound proofed room for me to play all day long. I got so many hours of practice in that room.  

Irish Drummers; Jason who are your drumming influences?

Over time my influences have changed, but early on I got a lot from Tre Cool, Patrick Wilson, Zac Farro, Dave Grohl and John Bonham. Some of my favourite drummers right now are; Steve Jordan, Ash Soan, Carter McLean and Aaron Sterling. I can’t get enough of their groove. 


Irish Drummers; What drum gear do you use?

I have a Gretsch USA Custom and a 70’s Ludwig. It’s great having two types of kits to cover a modern sound and that classic vintage sound. The Gretsch is the kit I use most of the time but when I’m recording I love to take the Ludwig out. I’ve been using Meinl Cymbals for the last seven years or so. I’m a big fan of the Traditional Byzance line of cymbals. I have a handful of snares at the moment. I see a collection building up over the next number of years. Here’s a full list. 

Gretsch USA Custom

22 x 18
10 x 7
12 x 8
14 x 14

70’s Ludwig Classic Maple

22 x 14
13 x 9
16 x 16

Cymbals

13” Byzance Trad Hats
14” Byzance Extra Dry Hats
18” Byzance Trad Crash
20” Byzance Trad Crash
22” Byzance Tradition Ride
22” Byzance Dual Crash Ride

Snares 

Ludwig Copperphonic 
60’s Ludwig Supraphonic 
80’s Ludwig “Rock Concert” 
70’s Ludwig Vistalite 
Gretsch New Classic 
Pearl Aluminum Sensitone 
Mapex Pro M 



Irish Drummers; What are your favourite albums / songs?

One of my favourite albums is “Vivarium” by a Scottish band, Twin Atlantic. I was hooked on this when I was about 18. Some other favourites would be Houses of the Holy – Led Zeppelin, Born and Raised – John Mayer and The Olllam (self titled) 


Irish Drummers; Jason, what current projects are you involved in?

I’ve been in a band called We Were Giants for the last 5 years and we recently just changed our name to KARMS. We recorded an album up in Donegal last year and just released our first single “We Always Lose” which has been getting a great response from Radio and Spotify plays. We will be in Whelans on the 13th of May. You need to come to a KARMS gig!
I also play with Jake Carter who is a modern pop/country artist who’s doing really well over here. I like to be involved in a few projects, to have some outlets for the different styles that I enjoy playing, rather than trying to force ideas into the wrong band.  

Irish Drummers; Any advice to aspiring drummers?

It sounds obvious but listen carefully, like really listen. Learn to listen to what the other musicians are playing. It’s so important to get the vibe right. You have so much colour to play with behind a kit and choosing the right groove, dynamics and sounds are going to really change everything. A lot of the time it’s the lyrics and melody that guide what I’m going to play. Playing with the guys in KARMS and recording with engineers like Tony Doogan and Stuart Gray really helped me to understand that less is nearly always more. 
I think it’s important for drummers to be able to get a good sound and learn how their gear works. It’s amazing how happy your band and engineer will be if you can take that weird wobble out of your floor tom quickly and move on.

Irish Drummers;  In your opinion, what makes Irish drummers unique to other drummers?

I’ve had nothing but good experiences with drummers here. I studied with about twenty drummers for four years in BIMM. I made great friends there and learned a lot from all of them and the tutors. Everyone’s approach is so unique and interesting. I see so many great drummers in original bands that are so creative and dedicated to playing for their love of it. Likewise, I have huge respect to the drummers out every weekend, travelling up and down the country, playing music for other people to enjoy, in both cover and wedding bands. The level of talent in this country is phenomenal. There is a unique quality to the network we have here. We have professional players encouraging younger drummers online and the interaction is great. The variety is so important. You can see some world-class players every weekend and no more than a couple of hours away


Photo Credits; Dara Munnis / Shauna Kenny 



Thursday, 20 April 2017

Irish Drummers; Daniel, when did you start drumming?

I was around 12/13 when I first started. My family was always very much involved in music, my oldest brother dabbled a bit with guitar but never pursued it. My other brother is also a drummer and gigs regularly, so he was a big influence growing up! He actually donated a snare drum and a Pearl double kick to me when I was young. I taught myself using both of these, the box from the snare drum was my makeshift kick drum for a few months! It was an interesting way to teach myself!

Irish Drummers; What drum gear do you use?

I use a Mapex Pro M Maple Kit. 24” kick. 12” tom, 14” floor tom and a Pearl Firecracker 10” snare. I am a fan of Remo Fibreskyns, so all toms are coated with these. I use a mix of Zildjian and Meinl cymbals, my favourite is my 16” Zildjian A Custom Rezo Fast Crash. I use a DW-5000 double kick and all Mapex hardware.

Irish Drummers; Who are your drumming influences?

Too many to list, but some would include; Derek Grant - Alkaline Trio, Jack Bevan – Foals, Memby Jago - The Ghost Of A Thousand/Frank Carter & The Rattlesnakes, Chris Wee - And So I Watch You From Afar and Josh Macintyre - Marmozets

Irish Drummers; What are your favourite venues?

My favourite venues are Whelans – Dublin, Indiependence – Cork, Stendhal – Limavady, The Chasin’ Bull – Bundoran, Roisin Dubh – Galway and The Button Factory - Dublin

Irish Drummers; What music projects are the band involved in?

Currently, we are preparing for the release of our next single. We recorded a few songs last summer with Philip Magee, and it was a pleasure to work with him and allow him to add his creative input to our songs. I would highly recommend any Irish bands looking for a producer to reach out to him! The single will be released with a video, and you can expect it sooner rather than later!

Irish Drummers; What are your favourite albums or songs?

Again, too many too list! But some of these albums would be very important to me and they are Foals – Antidotes, The Clash - London Calling, Alkaline Trio - Good Mourning, Biffy Clyro - Only Revolutions, Brontide – Artery and Enemies - Embark Embrace


Photo credit; Conor Conlon from CMP Productions


Saturday, 15 April 2017

Irish Drummers; Rickie, when did you start drumming?

I started playing drums when I was around 6 or 7 and I was very heavily influenced by Chad Smith. His groove, speed and skill just blew me away and still does. Then John Bonham started to creep in more and more over the coming years, to the point where he was all I ever wanted to be.

Irish Drummers; Apart from Chad Smith and John Bonham, are there other drummers that have influenced you?

There are so much more - Keith Moon, Kenny Aronoff, Roger Taylor, Zac Starkey but my favourite at the moment is Max Weinberg. I just love his commitment to the groove and how little he cares for showing off. He is just there to make the song as good as it can be and I love that.

Irish Drummers; What drum gear do you use?

In terms of my gear, I use a hybrid kit consisting of a black DW Collectors series along with white sparkle Yamaha customs. My snare is a 14 x 8 Ludwig and all my cymbals are Meinl Byzance. Years ago, I used to use Vater Rock sticks but have since switched to Vater 5bs as I find they are easier on the drum heads. They're awesome sticks to play with.

Irish Drummers; Rickie, what advice would you give to someone starting out in the music business?

My advice to anyone starting out in the music industry is to just keep playing and playing. For me, I was religious about my practice and that too plays a hugely important role in learning the fundamentals of drumming and how the drums fit into certain genres but you can never beat just going out there and playing songs with people that are better than you. You will rise to their level before you know what has happened.

Irish Drummers; What are your favourite venues?

My favourite venues in Ireland are The Olympia Theatre in Dublin and The Ulster Hall in Belfast. They are amazing venues in every way. In America, it would have to be The House Of Blues in Boston and in the UK I'd say Shepard's Bush Empire in London and Manchester Apollo in.....Manchester. Savage places.

Irish Drummers; Rickie, what current projects are you involved with?

Right now, I'm getting ready to go on a three week tour of the UK with the Saw Doctors (full details of the tour can be found on www.sawdoctors.com) and after that I will go to Dublin to do a three month long run in the Olympia Theatre of Once, the musical, doing another thing I love to do - acting. It's setting up to be a fun summer for sure.

Photo credits; Audrey Rubotham and Rickie O'Neill